199. The late R.W. Elliston, Esq. One of _Harlow's_ best portraits:
the likeness is admirable, and the tone well accords with Elliston's
unguent, supple expression.
204. Portrait of Dr. Wardrope. _Raeburn._ This is one of the
artist's finest productions: it is clever, manly, and vigorous--painting
to the life, without the flattering unction of varnished canvass. The
fine, broad, bold features of the sitter were excellently adapted to the
artist's peculiar powers.
205. Portrait of Thomson, the Poet. _Hogarth._ The well-known
picture. How fond poets of the last century were of their
_dishabille_ in portraits: they had their day as well as nightcaps.
217. Johnny Gilpin. _Stothard._ This lively composition is well
known, as it deserves to be; but it may not so well be remembered that
the popularity of John Gilpin was founded by a clever lecturer, who
recited the "tale in verse" as part of his entertainment. (_See page
367._) What would an audience of the present day say to such
puerility; though it would be certainly more rational than people
listening to a French play, or an Italian or German opera, not a line of
which they understand.
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